© 2024 Georgia Symphony Orchestra

Please take a moment now to ensure your device is in silent mode.


Thank you and enjoy the performance!

This program is made possible in part through a generous donation from Mary Kay Howard.

The GSO Shop


Click the images below to browse great items
!

Want to win a pair of tickets to a future GSO Performance?

Fill out our 3 minute audience survey for a chance to win 2 tickets to a future GSO concert.

Program Guide Contents

Click any text below to jump to the section indicated. Or you may scroll through the entire contents. Buttons appear throughout to bring you back to this content section for easier navigation.

The Georgia Symphony Orchestra is supported in part by the Georgia Council for the Arts through the appropriations of the Georgia General Assembly. The GCA also receives support from its partner agency – the National Endowment for the Arts.

Georgia Symphony Orchestra Upcoming Events

Sponsors and Supporters

It is through the sustained generosity of our supporters that the Georgia Symphony Orchestra is able to continue delivering quality enrichment, entertainment and education throughout our community and greater region, encompassing music and arts lovers of all ages.

Our growing list of programs supports a wide range of needs in the community. Just a small sampling of the diverse options includes young musician education, inclusiveness in the concert hall, veterans’ support, free and affordable concert tickets, community presentations, and collaborative promotion of other outstanding nonprofit organizations.

Combining your giving with a musically infused GSO program doubles your impact in the community. Donating to the GSO is easy. Visit us at georgiasymphony.org/donate. Or call 770-615-2908.

Special Thanks to the Bobbie Bailey Foundation

for their gift of a $1 Million Dollar Endowment Fund

The GSO is sincerely grateful for the substantial support of our youth education program given by:

Gold Baton Circle $15,000-$24,999

Georgia Council for the Arts
The Imlay Foundation

Silver Baton Circle $10,000-$14,999

Bob and Linda Bonstein
Kimberly Gresh
Susan Traendly

Bronze Baton Circle $5,000-$9,999

Community Foundation for Greater Atlanta
Greystone Power
Mary Kay Howard
McMaster-Carr Supply
John and Shirley Morgan
Publix Supermarkets
Bruce and Pam Rhyne
Walton Communities
Jeff and Rose Whittingham

Conductor’s Circle $2,500-$4,999

Chris Clark
Cobb EMC Community Foundation
Indian Hills Country Club
Michael and Pauline Knowles
Marietta Kiwanis Club
Tutt and Debra McCracken
Valencia McCrimmon
Gregory and Christine Mishkin
Randy and Judy Ribarsky
Sydney Trew
Len and Cristy Van Popering
The Vaughn Foundation

Principal Circle $1,000-$2,499

Anonymous
Anonymous
Sandra Barclay*
Daniel Barker
Bright Wings
Marilyn Brooks
Regina Brown*
Dr. Bruce Gillett
Chris and Lisa Greenwood
Bryan Lew Henry, Jr.
Lee and Gail Herring
Rebecca Higgins
Ann Hixson
Mariann Holdzkom
John and Barbara Howell*
Sally Jobe
Kimberly Clark Foundation
Berna and Noah Levine
The Manely Firm
Lydia Mayes
Joanne Mazula*
Valencia McCrimmon
Mighty Cause Foundation
North Cobb Rotary
Foster and Bliss Peterson*
Carlo Purefoy
Robert Kent Galleries
Ronna Ruppelt
Robert Schull
Baker and Debby Smith
David and R. J. Starnes
Erica Stein
Adam and Mallory Stensland
Alan and Susan Stensland
Wahid Tawfik
Jeffrey and Louise Tharp
Richard and Pollyann Thompson
Tom and Susan Tillery*
Patricia Torres
Jeffrey and Suzanne Tucker
Rebecca Strojan Weaver
Todd Youngblood

Musicians Circle $500-$999

Anonymous
Anonymous
Dane Bamburry
David and Leta Barry
Barbara Anne Bennett
Cindy and Henry Bohn
William and Kim Dyer
Frank Harris
Nancy Hodges
Wendy Lerner
Regina Malloy
Yvonne and Michael Perrino
Carlo Purefoy
Dwight Shoemaker Family
Lily WhiteRose
Wallace Ziprik

Concertmaster Circle $250-$499

Alenia Baxter
Judith F. (Judy) Bullard
Buddy and Lillian Darden
James and Terry Dubsky
Stephen Hall
Clifford McCune
Gil Moor
Vijay & Carolyn Srinivasan
Gerry Stephens Jr
Burt and Sharon Stills

Prelude Circle $100-$249

Anonymous
Anonymous
Anonymous
Janet Adams
Jordan Bonar
Kim Bonstein
Katherine and James Chester
Beth Collier
Katherine Dater
Monica Fambrough
Joe Ferst
Barbara Hammond
Annie Harris-Gunter
Carlyn and Ron Krieger
Emily Lembeck
Dennis Loubiere and Edward Eanes
Beverly Martin
Margaret Menz
Lee and Sandra Miller
Wei Money Family
Martha Moore
Bill and Sara Needs
Mary Nimsgern
Jane Redwine
Janelle Runge
Mark Schilke
Peter and Marian Sebel
Veronica Smith
Eric Swanson
Jo Tucker
Laurie Washington

Ovation Circle $50-$99

Anonymous
Anonymous
Anonymous
Kelley Clark
Fran Crawford
Jacqueline and Robert Downing
Ruth Einstein
Natalya Fainberg
Camille Fairbanks
Jonathan Gallant
Tera Gordon
Sandy Hsieh
Cindy Johnson
Grace Johnson
Nick Johnson
Darron Kendrick
Wiley Kendrick
Kristi Ledford
Lauren Abraham Mahoney
Russell Marshall
Karen Milchus
Nancy and Gordon O’Neill
Jason Ontjes
Eddie Rogers
Marnell Saunders
Marshall and Patty Smitherman
Gary Thomas
Paul Tompkins
Ken Sabo
Dr. Cyndy Stephens
Topaz Wong

In-Kind Supporters

ARTS of Cobb
Atlanta Marriott Northwest at the Galleria Hotel
Carriage House Catering
Chris Savas Photography
Cobb Travel and Tourism
Frank Harris Law
Gift of Music Foundation
Moore Colson CPAs and Advisors
Kathryn Smith
Adam Stensland
Timothy Verville

Daniel Barker
Chandra Brown
James Dubsky
Barbara Hammond
Marianne Holdzkom
Mary Kay Howard
Michael and Pauline Knowles
Dennis Loubiere
Tutt and Debra McCracken
Jeffrey & Suzanne Tucker
Jeff and Rose Whittingham

In Memoriam

Allan Cheshire in memory of Susan Cheshire
Brenda Rhodes in memory of Joanna Cox
Debra McCracken in memory of Frances M. Keith
Debra McCracken in memory of Joanna Cox
Eileen Paulin in memory of Jeff Kotzan
Frank Harris in memory of Polly Anna Harris
Grace Johnson in memory of Frances M. Keith
Jeff and Rose Whittingham in memory of their parents
Joseph Yorio in memory of JoAnn Mary Yorio
Linda Acevedo in memory of Jeff Kotzan
Mary Kay Howard in memory of the Grandfather of Sydney Trew
Ron & Staci Martinez in memory of Frances M. Keith
Sharon Stills in memory of Helen Mackey, Theresa Ireland, Betty Knautz, Sylvia Peters
Susan Stensland in memory of Joanna Cox
Tish Fricks in memory of Jennifer Whitley

In Honorarium

Alenia Baxter in honor of Mary Kay Howard and Susan Traendly
Annonymous in honor of Kate Pfirman
Barbara Hammond in honor of Susan Stensland
Belisa Urbina in honor of Stephen Hall
Brenda Rhodes in honor of Susan Stensland
Brendan Knoblauch in honor of Mary Kay Howard
Dane Bamburry in honor of Valencia McCrimmon
Emily Lembeck in honor of Debbie McCracken
George Darden in honor of Amy and Bryan Black
Ira Pittman in honor of Suzanne Tucker
Jane McGuigan in honor of Mary Kay Howard
Joan Harrell in honor of Susan Stensland
John Morgan in support of Bryan Black, JG Morgan Choral Director
Katherine Dater in honor of Mary Kay Howard
Kim Bonstein in honor of Linda and Bob Bonstein
Kristen Bonstein in honor of Bob and Linda Bonstein
Linda Moore Connor in honor of Timothy Verville
Marian Sebel in honor of Bryan Black
Marie Boatright in honor of Mary Kay Howard
Martha and Dennis Moore in honor of Susan Stensland
Mary Argent in honor of Mary Kay Howard
Nancy O’Neill in honor of Bob and Linda Bonstein
Noah Levine in honor of the GSO Chorus
Valencia McCrimmon to the Julie Whitehead Memorial Library
Paula & Grainger Morrison in honor of Frank Harris & Abby Avery
Phillip O’Brien and Allison Fichter in honor of John and Linda Cooke
Rhea Pridgen in honor of Linda Cooke
Sharon Stills in honor of Susan Stensland
Richard and Pollyann Thompson in memoy of Margaret Curry
Susan Traendly in honor of Beth Johnson
Susan Traendly in honor of Mary Kay Howard
Susan Traendly in honor of Pat Torres
Sydney Trew in honor of Susan Stensland and Mary Kay Howard

Administration

Suzanne Tucker

Executive Director

Bio

Madison Willits

Artistic Operations Manager

Ann Stoskopf

Business & Patron Manager

Artistic Staff

Timothy Verville Timothy Verville
Music Director and Conductor
Bryan Black Bryan Black
JG Morgan GSO Chorus Director
Nathaniel F. Parker Nathaniel F. Parker
Associate Conductor, Dr. Bobbie Bailey GYSO Artistic Director & GYSO Symphony Director
Sam Skelton Sam Skelton
GSO Jazz! Director & GYSO Jazz Director
Justin Han Justin Han
GYSO Camerata Director
Vera Ilyushina Vera Ilyushina
GYSO String Symposium and Honors String Quartet Coach
John Lawless John Lawless
GYSO Percussion Director
Daniel Lee Daniel Lee
GYSO Philharmonic Director
Bora Moon Bora Moon
GYSO Clarinet Choir Director
Brittany Salkill Brittany Salkill
GYSO Flute Choir Director
Whitney Tinley Whitney Tinley
GYSO Harmonia and Concertino Director

Board of Directors

For information about joining our Board of Directors or Advisory Board, please click here.

Rebecca Strojan Weaver, Chair

Collective Insights

Pamela Hubby, Vice Chair

ArtsBridge, retired

Michael Knowles, Past Chair

Fifth Third Bank

Sydney Trew, Treasurer

Moore Colson

Adam Stensland, Secretary

pwc

Len Van Popering

Applause Innovation Group, LLC

Bob Bonstein, Past Chair

Cotivity, Retired

Debbie McCracken

Marietta City Schools, retired

Greg Mishkin

Escalent

Kathryn Smith

Walton Birch

Frank Harris

Frank Harris Law

Rhea Starnes

Women in Healthcare

Erica Stein

KPMG

Lew Henry

Mauldin & Jenkins

Ronna Ruppelt

Freeman Mathis & Gary, LLP

Advisory Board

Jim Glover

Harry Norman Realtors

Susan Stensland

Past Executive Director GSO

Mary Kay Howard

Past-Interim Co-Executive Director GSO

Dr. Jeffrey Tharp

Wellstar Medical Group

Patricia Torres

Ret. Development Director GSO

Amy Drabant

Atlanta Design Solutions

KSU Interns
Gustavo De la Torre Martinez | Allen Yun | Eduardo Maduro | Allie King

MPAC Interns
John Stagmeier | Ellis Dill

GYSO Jazz! Intern
Evan Skrip

GSO Chorus Site Coordinator
Simri Martinez Chantaca

GSO/GYSO Library Intern
Alyssa McBride

 

 
 

About Us

 

Founded in 1951, the Georgia Symphony Orchestra has engaged audiences through imaginative programming, visionary leadership, and critically acclaimed performances.

Our Mission

The mission of the Georgia Symphony Orchestra is to break down access barriers to ensure that the transformative power of music serves all members of our community. The GSO enriches lives and creates impact far beyond the concert hall through innovative and engaging performances, world-class educational programs, and intentional community engagement.

Our Vision

Our vision is to be the cultural heartbeat of our community. We envision a world where every voice resonates, is celebrated and is valued through the unique power of music.

Our Values

We value high quality musical performances and we prioritize quality musicianship in our productions.

We value the accessibility of our programs to the community, we prioritize making venues, times, and cost fit the needs of the community, and we make sure no one will be left behind.

We embrace diversity and innovation in our programming to inspire the widest possible audience with our musical experiences.

We value the importance of volunteers across our organization.

We value the support of our donors and audience members and continually manage our resources effectively and efficiently.

We recognize the vital contributions of our musicians and educators and we strive to maintain relationships that create a positive environment for all.

We strive to provide a variety of high-quality musical education opportunities for youth and for life-long learning.

Musicians (From Professionals To Students) Performing In Our Organization
0
Years Of Making Music
0
More than 33+ Performances Presented To the Community This Season
0
Over 17,000 People Are Served By Our Programs Annually
0

Timothy Verville

Music Director & Conductor

 

Born in western Oklahoma, Timothy Verville, an award-winning conductor and composer, spent his early years far from concert halls, growing up on a farm where his family raised and trained show horses. Eventually moving to “the city,” he was first exposed to music education in public schools. This ignited his journey of musical discovery and excellence, propelling him to stages and acclaim worldwide.

Verville is a uniquely multifaceted conductor in the modern orchestral sphere. His creativity, innovation, and dedication to sharing the power of the arts result in performances that captivate audiences. His work is described as “awe-inspiring” and credited for “bringing down the house” by the Atlanta Arts Scene. He is praised for his “finely focused conducting (in which) the pace of the music never sagged” by The Tulsa World.

Internationally, Verville conducted the inaugural Kyushu International Festival in Japan and has appeared with the Kyushu Symphony Orchestra, the Far Eastern Symphony in Russia, Opera Panama and the National Symphony Orchestra of Panama. In the U.S., his appearances include the Richmond Symphony Orchestra, Tucson Symphony Orchestra, West Virginia Symphony Orchestra, and many others.

Since 2016, as Music Director and Conductor of the Georgia Symphony Orchestra, Verville has fostered significant growth in the organization. His focus on audience engagement and outreach has been recognized in the community. In 2023, the Georgia Secretary of State proclaimed him an Outstanding Georgia Citizen for his service.

Under his visionary leadership, the Georgia Symphony has expanded its reach and built bridges to underrepresented populations. Collaborating with Girls Who Conduct, he created a fellowship for women conductors. He also partnered with Make a Wish Georgia to fulfill a young person’s dream of conducting an orchestra, and designed sensory-friendly concerts supported by the National Endowment for the Arts.

From 2010 to 2017, Verville served as the founding Artistic Director and Conductor of Arizona Pro Arte, leading to exponential growth in the organization. He established a full classics season, a summer series, educational performances, a chamber music program, and a dance ensemble.

Verville’s long-standing relationship with the Boston Chamber Orchestra included roles as Associate Conductor and Principal Guest Conductor. Additional previous engagements include Music Director and Conductor of the North Valley Chamber Orchestra (AZ), Scottsdale Baroque Orchestra (AZ), and Conductor of the Pollard Theatre (OK).

An award winner in the American Prize for Orchestral Performance as well as in Composition, his writing style encompasses a wide range of output. Recent premieres include the genre-blending “Liminal: an Atlanta Concerto for Amplified Looping Cello and Orchestra” with Okorie “OkCello” Johnson, and his upcoming “Requiem Americano.”

Verville was mentored by esteemed conductors Bruce Hangen, Timothy Russell, and James DePreist. He studied in masterclasses with David Effron, Markand Thakar, and Neil Varon. At the renowned Monteux School and Music Festival, he was selected as an orchestral assistant while studying with Michael Jinbo. Verville earned degrees in music from the Boston Conservatory, the University of Oklahoma, and Arizona State University.

He resides in Georgia with his wife and children.

Nathaniel F. Parker

GYSO Flute Choir Director

A talented and versatile musician, Nathaniel F. Parker has conducted orchestras in the United States, Peru, Russia, Poland, England, and the Czech Republic. Equally at home working with professionals and training future generations of musicians, Dr. Parker is Director of Orchestral Studies at the Kennesaw State University School of Music—serving as Music Director and Conductor of the Kennesaw State University Symphony Orchestra and Conductor of the Kennesaw State University Opera Program—and Associate Conductor of the Georgia Symphony Orchestra. His recent guest conducting engagements include appearances with the Jackson Symphony Orchestra (Michigan), the Connecticut Music Educators Association (CMEA) All-State Orchestra, the Fulton County High School Honor Orchestra (Georgia), and the Georgia Music Educators Association (GMEA) District 9 High School Honor Orchestra.

Dr. Parker is the recipient of numerous honors, awards, and scholarships. He was named a finalist for a Conducting Fellowship with the New World Symphony, a semi-finalist for a Conducting Fellowship at Tanglewood, and a Candidate for the Respighi Prize in Conducting; he also received a Citation of Excellence in Teaching from the Pennsylvania Music Educators Association. An active scholar, Dr. Parker’s writings have been published by the Conductors Guild and the College Orchestra Directors Association (CODA). He has presented research at the College Orchestra Directors Association’s national and international conferences and is Editor of the Journal of the Conductors Guild.

Dr. Parker has served as Music Director and Conductor of the Concert Orchestra and faculty at New England Music Camp (Maine), and Interim Music Director and Conductor of the Georgia Youth Symphony Orchestra’s (GYSO) Symphony and Camerata orchestras. Before relocating to Georgia, he was Director of Orchestral Activities and Assistant Professor of Music at Marywood University (Pennsylvania) where he was Music Director and Conductor of the Marywood University Orchestra and taught courses in conducting, instrumental methods, musicology, and analytical techniques. Other previous positions include Associate Conductor and Production Manager of the Jackson Symphony Orchestra (Michigan), Music Director and Conductor of the Jackson Youth Symphony Orchestra, Director of the Jackson Symphony Orchestra Community Music School, Graduate Conducting Intern at Michigan State University, Music Director and Conductor of the Mason Orchestral Society’s Community Orchestra and Youth Symphony (Michigan), Assistant Director of Music at Xaverian High School (New York), Conductor of the New Music Festival of Sandusky Orchestra (Ohio), and Graduate Assistant Conductor and Teaching Assistant at Bowling Green State University (Ohio).

Parker earned a Doctor of Musical Arts in Orchestral Conducting from Michigan State University, where his primary instructors were Leon Gregorian and Raphael Jiménez. During his time at MSU he regularly appeared with all the university orchestras and focused his doctoral research on Leonard Bernstein, specifically the composer’s Symphony No. 2, “The Age of Anxiety.” He earned a Master of Music in Orchestral Conducting from Bowling Green State University, where he studied with Emily Freeman Brown. His other conducting mentors include Stephen Osmond, Gary W. Hill, and Timothy Russell. In addition to his training in academia, Dr. Parker participated in numerous conducting master classes and workshops, conducting orchestras under the tutelage of nationally and internationally renowned conductors and conducting pedagogues including Christoph Eschenbach, George Hurst, Arthur Fagen, Markand Thakar, Mark Gibson, David Itkin, and Paul Vermel. Parker began his collegiate education at Arizona State University, where he studied bassoon with Jeffrey G. Lyman and graduated magna cum laude with a Bachelor of Music in Bassoon Performance.

Nat resides in Kennesaw with his wife, Melody, their son, Jacob, and their dog, Sammy.

For more information, please visit www.nathanielfparker.com


Bryan Black

JG Morgan GSO Chorus Director

Bryan Black is the founding conductor of the Georgia Symphony Orchestra Chorus which he established in 2007. Over sixteen seasons the ninety-voice Chorus has performed masterworks such as Orff’s Carmina Burana, Beethoven’s Ninth Symphony, Poulenc’s Gloria, Bach’s Magnificat, Walton’s Belshazzar’s Feast, Vaughan-William’s Sea Symphony, and the Georgia premier of William Grant Still’s And They Lynched Him On A Tree. Other concerts have featured notable choral repertoire including Corigliano’s Fern Hill, Handel’s Let God Arise, and Robert Ray’s Gospel Mass. The chorus made its first international tour to Spain in 2012 under his direction and anticipates a tour of the United Kingdom in 2025.

Black has been active in the broader music community for three decades and was recognized as a “Lexus Leader in the Arts” by Atlanta Public Broadcasting in 2003. After a collaborative performance of Hugo Distler’s Totentanz in 2004, Bryan was awarded a cultural ambassadorship from the Atlanta Goethe-Institut and attended an advanced language symposium in Weimar, Germany.  He sang for several years with the ASO Chorus and Chamber Chorus, including Robert Shaw’s final performance of Bach’s B-minor Mass in Carnegie Hall. He also taught on the adjunct faculty of Georgia State University and was visiting conductor for the Candler School of Theology Choraliers at Emory University. Choirs led by Black have performed at the Vatican, Christ Church Cathedral (Oxford), the Piccolo Spoleto Festival in Charleston, and on tours to Germany, Italy, the Czech Republic, and Norway.

Bryan is past-president of Georgia ACDA (American Choral Director’s Association) and served six terms at the divisional and national levels as Resource and Repertoire coordinator for reading sessions and conference performances. While serving ACDA, he assisted John Rutter as organizer for a conductor’s honor chorus in 2013 and planned the national 2019 “Music in Worship” event featuring Jason Max Ferdinand and the Aeolians. He has contributed articles to the Choral Journal, the Canterbury Dictionary of Hymnology, and Tim Sharp’s Sacred Choral Music Repertoire (pub. GIA) reflecting his work as a practicing church musician since the age of seventeen. Black currently serves as organist / choirmaster at St. James Episcopal Church on the historic square in Marietta, Georgia. 

Bryan holds a certificate in German as a foreign language (Goethe-Institut Berlin), a BM degree in organ (Samford University), and an MM degree in choral conducting from The Florida State University where he studied with Rodney Eichenberger and André Thomas. His doctoral thesis (DPM, Southern Methodist University) considered the impact of choral music in a maximum-security women’s prison and how the inmates’ lived experience of musicking models resilient community in an age of technological acceleration and relational isolation. 

Guest Artists

Emma Robertson

Described as “a soprano with an outstanding range,” “a gifted [stage] performer,” (OperaWire), and “elegant” (Boston Musical Intelligencer), Emma Robertson is a soprano from Marietta, GA, living in Boston, MA. She holds a masters degree in Vocal Performance from the New England Conservatory of Music and a bachelors degree in Music Performance from the University of Georgia.

Emma performs in and around the Boston area. She is the soprano section leader/soloist at St. Cecilia’s Parish in Back Bay. She also is a resident musician at Grace Note Farm in Rhode Island, where she gives frequent and personally curated recitals. She has performed locally with Boston Opera Collaborative, the Tanglewood Festival Choir, the Actors Company of Natick, and is on the chorus roster for the Boston Lyric Opera for the second year in a row. Emma was recently named the first place winner of the Wilkinson Young Singers Fund Scholarship, given to singers who “demonstrate strong musicianship, versatility of repertoire, a commitment to engage the community with their music, and the determination to make a career in music.”

While juggling school and part-time work, Ms. Robertson was enrolled in the Vinceró Online Vocal Academy. She had the privilege of studying three roles: Adina, Susanna, and Musetta, the latter for which she was offered partial scholarship. She has been working with such notable instructors as Abdiel Vàzquez, Stefano de Peppo, and Irina Meachem. She also took part in masterclasses and seminars with Angel Blue, Pretty Yende, Craig Rutenburg, Ana de Archuleta, and Gerardo Kleinburg. Emma made her Carnegie Hall Debut with the program in January 2023. In addition, she made her Mexico and role debut as Susanna in Le nozze di Figaro with the program in November.

In the summer of 2022, Ms. Robertson was offered the great opportunity to perform Bach’s Mass in B Minor with the Upper Valley Baroque Ensemble in New Hampshire. She then made a quick 180 to perform the role of the Baker’s Wife from Stephen Sondheim’s Into the Woods with the North End Music and Performing Arts Center and the Boston Festival Orchestra. In 2021, Ms. Robertson was a studio artist with Opera Maine, where she performed in the ensemble of L’Élisir d’amore and covered the role of Gianetta. In 2019, she won the Kay and Jimmy Garrison Student Grand Prize at the Orpheus Vocal Competition, which gave her necessary scholarship and funding to attend the American Institute of Musical Studies in Graz, Austria later that summer. Over the course of six-weeks, Ms. Robertson studied with renowned soprano legend Evangelina Colón (it was also through this experience where she met her current voice teacher, Michael Meraw). A few months later, she was an Encouragement Award recipient at the Metropolitan Opera National Council Auditions in Atlanta, GA. Through this experience, she was invited to coach with Nate Raskin, an opera coach on faculty at the Met, and was granted a semi-finalist spot in for the Lindemann Young Artist Development program.

Ms. Robertson graduated the University of Georgia in 2020 with a bachelors degree in Music Performance. There, she studied with mezzo-soprano Dr. Elizabeth Johnson-Knight. Throughout her undergraduate experience, Ms. Robertson gained solo and choral experience that shaped her perception of performing and what eventually encouraged her to pursue a career as a musician. Not only was this the first time in her life that she had decidedly studied and dedicated herself to voice, but it was the first time she put those skills to the test in different competitions throughout the country. Emma had the immense privilege of taking home the first place undergraduate student scholarship in the 2018 Atlanta Opera Guild Scholarship Competition. That same year, she made her way to the NATS National Competition, where she won second place overall. Just a year earlier, in her first ever vocal competition venture, Ms. Robertson was one of ten vocalist recognized within the entire country to compete at the annual Glenn Miller Scholarship Competition in Clarinda, IA where she placed 3rd at 18 years old.

In 2018, she was cast as Barbarina (Le nozze di Figaro) with the Aquilon Music Festival and Young Artist Program in McMinnville, OR, her first exposure to young artist programs. The program is still run today by bass-baritone Anton Belov.

Tetyana Vakhnovska

Tetyana Vakhnovska is a renowned, state-awarded Ukrainian mezzo-soprano who immigrated to the US in 2022. She graduated from National Academy of Music in Lviv and was a leading opera singer at the National Opera in Lviv, Ukraine for over 15 years. Tetyana toured internationally with concerts and opera productions in Poland, Germany, Austria, the Netherlands, Luxembourg, Belgium, France, China, and the USA.

Vakhnovska credits her high achievements to working with well-recognized European directors and conductors while performing leading parts for mezzo-soprano including Carmen ( Bizet’s “Carmen”), Azucena ( Verdi’s “Il Trovatore”), Ulrika ( Verdi’s ” UN Ballo in Mascera”), Amneris ( Verdi’s “Aida”), Suzuki ( Puccini’s ” Madame Butterfly”), Fenena ( Verdi’s ” Nabucco”), Maddalena ( Verdi’s ” Rigoletto”). She has also performed as a soloist in Mozart’s “Requiem”, Verdi “Requiem”, Rossini’s “Little Solemn Mass”, Mahler’s Symphony No. 2, Bach’s “St. Matthew passion”, Pergolesi’s “Stabat Mater”, Haydn’s ” Seven last words “, and Dvorak’s ” Stabat Mater.” She was a soloist in Beethoven’s 9th Symphony with the Elmhurst Symphony Orchestra and in Bruckner’s “Te Deum” with Champaign-Urbana Symphony Orchestra.

In cooperation with “Revived Soldiers Ukraine”, the Ukrainian Congress Committee of America gave concerts in New York and Chicago. In support of Ukraine, she held concerts at the Holy Name Cathedral, Alice Millar Chapel, and the Ukrainian National Museum (Chicago IL). Vakhnovska is also a piano and voice teacher at Bel Canto Music Academy (Burr Ridge, IL) and KnightMusic Academy (North Barrington, IL). Her students range from children through adults.

William Green

William Green, tenor, made his debut with The Atlanta Opera in 2013 as Giuseppe in La traviata; he has sung with The Atlanta Opera in comprimario roles as well as a core member of the chorus for over ten seasons. Mr. Green was featured in a new short opera, The Cost of Healing, for The Atlanta Opera’s 96 Hour Opera Project and sang the role of the Crooner in Moravec’s the Shining, also with The Atlanta Opera. In February 2024, William made a role debut in the title character of Wagner’s Tannhäuser with Atlanta Concert Opera. William has also sung with Atlanta’s Capitol City Opera Company in roles ranging from Pedrillo in Mozart’s Die Entführung aus dem Serail to Tybalt in Gounod’s Roméo et Juliette

Recent role highlights with the company include Canio (Pagliacci), Eisenstein (Die Fledermaus), Sir Joseph Porter (H.M.S. Pinafore), and Beadle/Pirelli (Sweeney Todd). Mr. Green’s scheduled 2020 debut as Loge in Wagner’s Das Rheingold with Ontario’s Opera By Request was unfortunately cancelled due to the pandemic. In 2022, he was the tenor soloist in Handel’s Messiah and the premiere of David Briggs’ new organ transcription of Beethoven’s Ninth Symphony, both at Peachtree Road UMC in Atlanta. Other notable concert engagements include: the title role in the Third Act of Wagner’s Parsifal with the Georgetown University Orchestra and recital programs with the Wagner Society of Washington, D.C. Mr. Green is an alumnus of the American Wagner Project and Dolora Zajick’s Institute for Young Dramatic Voices. 

Jacob Lay

Jacob Lay, Baritone, is an Atlanta native who has studied and performed in various venues across the US. He holds degrees in Vocal Performance from Simpson College in Indianola, IA and the University of Tennessee, Knoxville. He has performed regularly with several opera companies including Cedar Rapids Opera, Marble City Opera, Knoxville Opera, and The Atlanta Opera. He has premiered several roles recently including The Thug in ‘I Can’t Breathe’ by Leslie Burrs and Brandon Gibson, and Charlie in ‘Charlie and the Wolf’ by Dave Ragland Jr. and Mary McCallum. He is passionate about the performance and appreciation of under-represented composers of all types, but has dedicated much of his study and repertoire to the music of African-American composers like William Grant Still, Florence Price, and Dorothy Rudd Moore. 

Georgia Symphony Orchestra Personnel

Violin 1

Edward Eanes,* Concertmaster 
The Teresa Eubanks Ireland Chair
Robert Givens, Associate Principal 
The Marnie R. Gresh Chair 
Melody Bearden 
Kerren Berz 
Mary Burndrett 
James Cobb 
Talia Coopersmith 
Amber Dobbs 
Heather Hart 
Gilyoung Kang 
Aeden O’Shields 
Kelly Thomas 
Hae Jin Yoo 

Violin 2

Yi-Wen Yeh* 
Colin Cassell 
Evelyn Champion 
Beth Collier 
David Edwards 
Amanda Esposito 
Grace Kawamura 
Ryan Lavender 
Lauren Miller 
Monika Ramnarayan 
Patrick Ryan 
Jennifer Sersaw 
Ehsan Sheikholharam 
Jill Stokes 
Tina Yu 

Viola
Meghan Yost*
Christina Esposito
Eric Johnson
Mary Koves
Kyle Mayes
Dave Miller
Greg Selig
Heather Vincenty
Blake Wright

Cello
David Lloyd* 
Jennifer Davenport 
Megan Deason 
Rachel Halverson 
Wesley Holmes 
John Howell 
Natallia Isabel 
Julienne Kung 
Nirav Patel 
Stephanie Peterson 
Michael Roberts 
Dwayne Wasson 

Double Bass
Robert Goin *
The Mary Kay Howard Chair
Chris Bussert 
Leonardo Lopes 
Rob Lysse 
Maximilian Simmons 
Moe Winograd 

* denotes section principal

Flute
Jeanne Carere*
Frankie Cavanah

Piccolo
Dana Meyer

Oboe
Christina Gavin*
Alexander Zhang

Clarinet
Justin Stanley*
Theresa Stephens

Bass Clarinet
Daniel Barker*
John Warren

Bassoon
Marissa Takaki* 
Nib McKenney 

French Horn

Jason Eklund* 
Eric Hawkins 
Patrick Hydo 
Cole McDonald 
Scott Sappington

Trumpet
Yvonne Toll Schneider*
Michael Brown 
Rachel Ragan 
Stephen Wadsack 

Trombone
Tavish Daly*
Jennifer Mitchell
Phil Truex

Bass Trombone

Steve Jessup

Tuba
Don Strand*
Greg Rowell

*  denotes section principal

Piano
Jakari Rush 

Harp
Julie Koenig*

Timpani
John Lawless *
The John and Linda Cooke Chair

Chair Percussion
Jeff Kershner*
Noah Burgess 
Dakota Reeves 
Greg Roman 
Katie Ude 

*  denotes section principal

Musicians performing in orchestral productions are represented by the American Federation of Musicians of the United States and Canada.

Georgia Symphony Orchestra Chorus

Encompassing a wide range of vocal versatility, the Georgia Symphony Orchestra Chorus performs choral/orchestral works, pops, and produces independent choral concerts. Highlights from recent seasons include choral masterworks with the Georgia Symphony, being featured on a GSO Jazz! performance at the Strand Theatre, singing in a sold-out concert of music from the video game “Zelda,” and presenting a historic regional premiere of American music.

Comprised of accomplished vocalists from the greater metropolitan area, performances have included Mahler’s Second Symphony, Vaughan Williams’ Sea Symphony, Orff’s Carmina Burana, Haydn’s Creation, and Verdi’s Te Deum. The ensemble has also presented state, regional, and world premieres.

Founded in 2007, and directed by Bryan Black, the chorus recently performed with the Morehouse College Glee Club, the Spelman College Glee Club, the Uzee Brown Society of Choraliers, and the Georgia Spiritual Ensemble.

Shana Adams 
Wisdom Anderson
Lanie Baxter 
Julia Bellezza 
Heather Blalock 
Cindy Bohn 
Linda Bonstein 
Crae Borsom 
Ann Burkly 
Atheleen Burley 
Cailin Che 
Gabrielle Clark 
Beth Collier 
Amber Connor 
Leah Crumley 
Gwen Ehrhardt 
Camille Fairbanks Michaelyn Findley
Karen Gonzalez 
Ann C Hixson 
Nancy Hodges 
Marianne Holdzkom
Marian Hull 
Judy Feasel
Jones Amy LaPlume 
Kathleen Laurendeau
Ashley Laverock
Stephanie Loomis
Katie Mattice 
Margaret Menz 
Mary Nimsgern 
Virginia Osborne
Karen Partyka 
Bliss Peterson 
Amy Potter 
Bwashena Qadhafi
Brenda Rhodes 
Luci Roberts 
Kim Sherk 
Patty Smitherman
Tammy Teal 
Leslie Thompson
Maria Velasquez
Ann Vines

Janet Adams 
Morgan Baker 
Laura Blakeslee
Sara Branch 
Glendel Browder 
Ramona Burkett 
Kamela Carlson 
Karen Chin 
Jennie Coar 
Dr. Kecia Coar-Overall Andrea Davis 
Tiffany Fannin 
Kelly Francis 
Lisa Greenwood 
Judy Harvey 
Rebecca Higgins
Deborah Holyfield
Peggy Hurst 
Mary Hyde 
Beth Johnson 
Jennifer Kunz 
Cynthia Landis 
Erin Layton 
Berna Levine 
Suzanne Loo 
Beverly Martin 
Debra McCracken
Sharon Menear 
Suzanne Milligan
Allison Nance 
Linda Nordahl 
Jacquelyn O’Bryan
Laura Searcy 
Marian Sebel 
Christine Shoemaker
Joan Shorr 
Susan Traendly 
Christine Vick 
Laurie Washington Meredtih Weber 
Rose Whittingham
Martha Willis

James Banks 
Steve Bennett 
William Dyer 
Johnny Gravley 
Chris Greenwood
Dean Hawkinson
Scott Lamphere 
John Love 
Jimmie Nettles 
Kevin Valery
Pyram Robert Shull 
Josh Teal 

Robert J Argent 
Robert Bonstein 
Charlie Champion
Dave Erstfeld 
Gaylen Ferry 
Joe Ferst 
Aidan Fortenberry
Frank Harris 
Ken Johnson 
Wates Keller 
Brian Loomis 
Dave Lozada 
Robert Mayfield 
John Morgan 
Oral Moses 
Carter Ransom 
Michael Reeves 
Alberto Sapoznik
Al Searcy 
Benjamin Wadsworth
Peter – Goose Weston
Harris Wheeler 
Wally Ziprik

Beethoven's Universe

May 18, 2024 | 8:00 PM
May 19, 2024 | 3:00 PM
Dr. Bobbie Bailey & Family Performance Center

This program is made possible in part through a generous donation from Mary Kay Howard.

Eric Whitacre
Deep Field (~24 minutes)

Intermission (~15 minutes)

Ludwig van Beethoven
Symphony No. 9 in D minor, Op. 125 “Choral” (~70 minutes)
     I. Allegro ma non troppo, un poco maestoso
     II. Molto vivace
     III. Adagio molto e cantabile
     IV. Presto – Allegro assai – Andante maestoso – Allegro,sempre ben marcato

Program Notes

(click to access external program notes)

Deep Field

Beethoven Symphony No. 9