Timothy Verville

The award-winning Timothy Verville’s performances are hailed by reviewers as “a dazzling musical experience.” His innovative, imaginative, and musically engaging approaches in the concert hall position him as a uniquely multifaceted and multi-talented conductor of the modern orchestral world.

Internationally this season marks debuts with Opera Panama and the Panamanian National Symphony Orchestra, and in Russian with the Far Eastern Symphony Orchestra. In Japan he has appeared at the Kyushu International Festival, and with the Kyushu Symphony Orchestra, Hita Civic Orchestra, the Chikushi Jogakuen Philharmonic Orchestra, and the Kyushu Philharmonic Orchestra. He has guest conducted orchestras and theatre ensembles across the U.S. including the Tucson Symphony Orchestra and the Richmond Symphony Orchestra.

In his fourth season as Music Director and Conductor of the Georgia Symphony Orchestra, Verville has energized audiences while increasing and diversifying concert offerings. His strong focus on audience engagement and outreach is recognized throughout the community and in the League of American Orchestra’s Symphony magazine. His creative and collaborative programing has expanded the organization’s performance footprint and served to build bridges into underrepresented populations. In addition to conducting classics, pops, and special performances, he designs the Sensory Friendly concerts which have been supported by National Endowment for the Arts.

In 2007, Verville began a relationship with the Boston Chamber Orchestra that would encompass over a decade of music making. Beginning as an instrumentalist in the orchestra, he was asked to become Associate Conductor and later Principal Guest Conductor. He recorded music by Vaughan Williams for the orchestra’s 2013 international CD release.

In Phoenix, he served from 2010-2017 as the founding Artistic Director and Conductor of Arizona Pro Arte. His presentations of unique and highly anticipated collaborative events resulted in exponential organizational and audience growth including numerous sold out performances. During this time the orchestra grew to include a regular masterworks season, a summer orchestral series, educational performances, a chamber music program, a dance ensemble, and establish a composer in residence. He instituted an annual “Call for Scores” competition that at its height received over 920 applicants from forty countries in a single season.

Additional previous engagements include Music Director and Conductor of the North Valley Chamber Orchestra (AZ), Scottsdale Baroque Orchestra (AZ), and Conductor of the Pollard Theatre (OK).

Verville commissions and conducts regional, national, and world premiere compositions which have encompassed operatic and symphonic music. He has counseled young and emerging composers across the country and worked with the Tucson Symphony’s Young Composers Project, which Yo-Yo Ma praised as an “extraordinary program.”

An award winner in the American Prize for Orchestral Performance, Verville was mentored by esteemed conductors James DePreist, Bruce Hangen, Timothy Russell, and additionally worked in masterclasses with David Effron, Markand Thakar, and Neil Varon.

At the renowned Monteux School and Music Festival, Verville was selected as an orchestral assistant while studying with Michael Jinbo. He earned degrees in music from the University of Oklahoma, Arizona State University, and the Boston Conservatory.

Timothy Verville resides in Georgia with his wife and two children.